Invisible Girl by Lisa Jewell
My rating: 5 of 5 stars
INVISIBLE GIRL is an intense, absorbing, character-driven domestic psychological thriller. The narrative, told through the experiences of three viewpoint characters, concerns sexual assault, infidelity, suspicion, trial by media and social media. The 'action' takes place in the largely dark, claustrophobic streets of a village-like district of London.
Cate Four, mother of two teenagers, wife to psychologist, Roan, lives with her family in the temporary accommodation of a flat in Hampstead, as the family home in Kilburn is renovated. It should be an adventure, the desirable and affluent area known for intellectuals and artists. But Cate, who came close to separating from her husband when he had an affair suspects that Roan may be wandering but, having accused him of infidelity a year previously, buries her fears.
Owen Pick, a strange, socially awkward teacher, who lives opposite the Fours, is suspended from his job following accusations of sexual harassment from female students. When Cate's daughter, Georgia, is followed home along dark streets and her friend Tilly claims she was assaulted by a stranger, the Fours wonder about their neighbour.
Saffyre Maddox is a 17-year old former patient of Roan Four, whom she saw because she was self-harming, caused by something which happened to her when she was 10. Having developed an attachment to her psychologist, she misses her regular appointments and secretly follows Roan, frequently spying on the Fours' home. When Saffyre goes missing, and is found to have been near the Fours, suspicion naturally falls on their neighbour, Owen Pick.
Lisa Jewell draws her characters so well conveying emotions through their actions and reactions. We see the trauma caused by a lack of communication, the married couple tiptoeing around each other, the mother unable to confront her children, suspicions growing in relationships because people are afraid to ask questions. Owen Pick is adjudged guilty by the media and, as other sexual attacks are revealed in the area, we begin to question whether his embarrassment and discomfort around women is hiding more dangerous traits.
The story's shifts in viewpoint and timelines keeps the reader on edge throughout. In reality, not an awful lot happens, the action largely in the minds of her characters, but Jewell ramps up the tension expertly and we never really fully know any of the protagonists. There is some wonderfully descriptive writing too, particularly in the sections narrated in the first person by Saffyre, an incredibly perceptive 17-year old. One particular passage, as Saffyre describes Roan Four's consulation room, is among the best, most atmospheric scenes I have read this year, but throughout there are little touches that make INVISIBLE GIRL a joy to read. The story is tense and oppressive, the underlying subject matter harrowing and distasteful, none of the characters truly what they initially seem, but the Lisa Jewell skilfully holds this all together and delivers a satisfying mystery while raising questions which will stay with the reader long after the story is done.
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