Hotel California by Barney HoskynsMy rating: 4 of 5 stars
"It's not easy when you take someone who's basically right out of puberty and who becomes a millionaire responsible to no one."
Barney Hoskyns's 'Hotel California' is the story of the late '60s rise of country rock and its descent into late '70s AOR; idealism into hedonism; dope smoking, laid back hippies into cokehead, egotistical control freaks. Of course, there are those who were already halfway there even at the Laurel Canyon scene beginnings - Stephen Stills comes off particularly badly - and it would be difficult to make it in music without a strong ego, but Hoskyns's story is largely a tale of innocence and experience.
This is not a primer for California music; the book is almost novelistic and has a huge cast of characters and presupposes the reader's familiarity with many of them, not just the Crosby's, Stills', Nash's and Young's but also the Warren Zevon's and Lowell George's. Hoskyns takes these characters and weaves their individual threads into a complete tapestry of the times, albeit one which becomes badly torn and frayed at the end. He takes us from the idealistic Laurel Canyon community, the singer-songwriters at the Troubadour, an extended family who wrote together and played on each others albums, at time when record companies supported 'artists', to back-stabbing, suspicious superstars who tried to outdo and undermine each other at every turn. And, along the way, the casualties like Gram Parsons and Judee Sill.
I enjoyed the book, and revisiting the music, immensely and would recommend it to anyone with more than a passing interest in the period. It is much more than the subtitle, "The True-life Adventures of Crosby, Stills, Nash, Young, Mitchell, Taylor, Browne, Ronstadt, Geffen, the Eagles, and Their Many Friends", would suggest and I look forward to picking up Hoskyns's "Small Town" which I hope expands on The Band's story in the same way.
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