Sunday 5 February 2017

Unfaithful Music & Disappearing InkUnfaithful Music & Disappearing Ink by Elvis Costello
My rating: 5 of 5 stars

Despite having listened to Elvis Costello’s music since 1977, following his career from his early angry, spiky New Wave recordings with The Attractions, through the country songs of ‘Almost Blue’ and later collaborations with the Brodsky Quartet and Paul McCartney, knowing he is married to Diana Krall, when I think of Costello it is still the skinny, snarling young man spitting cynical lyrics from behind a Fender Jazzmaster that I picture. Only when you list the artists that Costello has written, recorded and performed with - Attractions, Imposters, Nick Lowe, Specials, Daryl Hall, Diana Krall, Ray Brown, Chet Baker, Solomon Burke, Aretha Franklin, Ann Sofie Mutter, Brodsky Quartet, Bob Dylan, Levon Helm, Rick Danko, Burt Bacharach ,Bill Frizzell, Allen Toussaint, George Jones, James Burton, Jerry Scheff, T-Bone Burnett, Paul McCartney, Jerry Lee Lewis, Robert Wyatt, London Symphony Orchestra, The Roots - do you appreciate the breadth of his music and the impact he has had on the musical landscape of the last 40 years.

In ‘Unfaithful Music and Disappearing Ink’, written without ghostwriters and narrated in the audiobook version by the author himself, Elvis Costello tells of this perhaps unlikely journey and his experiences along the way. It is not a traditional chronological autobiography - “I was born in Paddington in 1954….” - rather a series of themed chapters dealing with particular aspects of his love of music. Costello is candid about his personal life but these stories are told in context and always framed by the music. The music is the most important character in this book. We learn about his grandfather, a White Star Line trumpet player, and his father, the big-band singer, Ross McManus, through Costello’s reflections on the life of a musician on the road. His chapters on, for instance, Allen Toussaint and Burt Bacharach concentrate on these collaborations across several years.

Costello, as anyone who has listened to his lyrics will know, is a natural storyteller and his stories here are frank and honest, as when he talks of his drinking and his marriage failures, but also comical like the unlikely sounding story of how he and Solomon Burke stood in a corridor outside Aretha Franklin’s dressing room hoping to speak with her only to have the Queen of Soul fling the door open and snap their picture with a disposable camera, or he and Bob Dylan accidentally locking themselves out of a concert hall and having to make their way back through queuing fans.

This is a big book but it rattles along. It is almost liking sitting with Costello as he relates a series of “Did I ever tell you about the time…” stories, illustrating points by quoting song lyrics, both illuminating their meaning and sending you back to the recordings. I began this book as an Elvis Costello fan, albeit intermittently over the last 10 or 15 years. I finished it with an increased admiration for, and appreciation of, one of the most singular talents of the last 40.
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Link to Costello speaking about the book on November 3, 2015 as part of the 26th annual Chicago Humanities Festival - https://youtu.be/_wVjxAN8j-8

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